I knew it was a matter of time before I wound up needing three areas in which to work! And this was the little guy responsible for it: This is a typical mop head found in this part of the world. Someone had discarded this mop and I spotted it. Something about the multitude of colors, the threads, the yarns -- it all really talks to me. In fact, it was yelling at me: "Take me! Do something with me! Turn me into art before I wind up in the trash heap!" So I did. I took it, cleaned it, and made it all pretty. And then I did this to it: I cut a section of the yarn and pinned it to a used "Bounce" dryer sheet. (Another cast off that speaks to me. Dryer sheets say: "Take me and use me! Do not throw me out---and there's many, many more of us. Save us all!". So I did. I've got a butt load of used dryer sheets just waiting for a second use. Here's what it looks like pinned together: And this is why I needed another room to work in. I used to have a hammock hanging up in this area, but I've converted it to a "sewing room". You can see where I pinned the mop strands to the dryer sheets -- it's on the table next to the fan in the background. The encaustic section (the next step in this process) is off to the right of the table where I did the pinning. And that makes 3 areas. I'm absolutely amazed I've expanded to use this much space. And to think, a year ago when I found this space, all I wanted was one table to play at. I guess it's true what they say: "We expand (or contract) to fit the rooms in which we find ourselves." By the way, that little room on the left in the above picture? That's actually a kitchen, but a friend is renting it so she can play at mosaics. But when she comes in to work, she hates working alone, so she usually takes one of the areas I've got. She's in for a bit of a surprise if she comes in today, 'cuz I've got all three tables occupied. Anyway, enough of that. Here's the next step in this "let's create a fabulous work of art out of a mop" project. Below is a shot of a longer strip of mop threads. I sewed two dryer sheets together to cover the new dimensions. Then, for fun, I left some of the dryer sheet attached alternatively between the sewn lines. I have no idea how it will look after I dip it in wax. Here's the first small piece out of the wax. I really like the way it looks actually, But knowing me, I've got to push it...I'll be experimenting with adding more wax, scraping it back, manipulating it. And, oh yes, you see where I cut the dryer sheets away from the sewed columns? Don't think I just tossed them out. I'm saving THEM! I'll do something with them, trust me. (I swear, in another life I must have been a first class hoarder!) Below is a shot of the first one with more layers of wax on it along with a first dipping of the longer piece. I like the smaller piece in the above shot better, I think. And I'm going to fiddle with what I'm going to do with the bottom one, but for now, I'm still fascinated with the possibilities of this path I'm on. I hope you'll stay with me on this journey over the next few months. I plan to post lots of progress shots and discussions and I look for your feedback and input! I cannot get this art show ready without your help!
Later, caio!
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Library Installation One week ago, the efforts of many years' work by many honorable people in Boquete came to fruition. Boquete's first lending library, in a new, sleek and modern building opened to fanfare. Many speeches were made by local dignitaries -- all in Spanish -- and the folklorico "polleras" ( the gorgeous fancy dresses) were on display. After the typical congratulating of all the hard work by everyone involved, a ribbon was cut, the doors opened and we all filed inside. This is where my involvement began. I had been asked to paint a large encaustic piece as a permanent endowment to the library. In exchange for permanent information about myself displayed next to the 3 ft x 7 ft piece, I agreed. If you want to see pictures of the opening of the library, click here to read about it in my other blog, "thirdworldwife.com". Because RobynColeArtworks is about art, this discussion focusses on the piece itself. For the past 7+ weeks, I have been in my studio full time preparing this piece. Dreaming about it, planning it, designing it, envisioning each panel as it tells the story of Boquete's evolution of art, music and literature. Rather than type on and on about what the piece is all about, I think it's easier to show the painting and the written description next to it. Here goes: "Art Music, Literature: A Boquete Tapestry" And here is the discussion of the piece: Here are a couple of more photos, just for funzies: Showing parts of the painting to friends. A side view, while patrons explore the piece. The slightly over-excited artist talking with a patron.
Okay, readers, my heart is in my throat these day, my eyes are at half mast and my body is weak and tired. Why? I'm showing my new encaustic paintings for the first time here in Panama in 3 days and it's exciting, thrilling, scary, and all that.
I took a photo of the body of work. I've got twelve small paintings I'm putting on display and they are available for purchase, as well.The show is a "Holiday Bazaar" at the local community center, called BCP. Other Boquete artists, vendors, crafts people, etc will be showing as the idea is to kick off the Holiday Shopping Season with us! So, while technically, it's not a formal art show (that will come in February), it IS the first time anyone here sees my work. And there's a good chance it will raise some eyebrows. From what I've seen here to date, the art here is very traditional: landscapes, flowers, local indigenous children -- representational stuff. Mine is not. I paint concepts, not people, places and things. So, like a said, I don't know if there's a local market for my type of art or not, but either way, we'll get a good idea of it one Friday, right? I'm really taking a risk, but what is life without a few risks and multiple shots of adrenalin that keep you up at night, eh? Anyway, after the show I'll update y'all, and in the meantime, here's the photo of the 10 x 10" encaustic paintings I'll be showing: I belong to an art group in Boquete, Panama. Its name is Boquete Artworks and we meet once a month. We are just getting our feet set underneath as we try to help art and culture in Boquete really take off. We have officers of the club and are finding our way through who and what we are becoming. There are some awesome women who are devoting lots of time and energy to this fledgling effort and I admire them tremendously. (Side note: because this article deals with local sights of Boquete, I am also posting it in my other blog, ThirdWorldWife.) We're in our fourth or fifth month of meeting and a couple of months ago, we began creating Artist Trading Cards (ATCs). Small business size type cards that are artistic in nature with pertinent contact information on the reverse. They're like baseball trading cards, for you sports minded readers. You trade them. You can only receive one if you've given one. It's fun! So we had the assignment of a theme for one month's ATC session: BRIDGE. Somehow, the theme of a bridge had to be incorporated into the cards. Maybe it's literal, maybe it's metaphori...er, ...metaphysica.... er, ... maybe it's woo woo weird. Whatever. So, as hubby and I went on our various walks, I took pictures of bridges as inspiration. Our first walk was on the Bajo Mono road, out past the climbing rock. Here's the first bridge leading to the road: I'm looking at John. He's almost already on the other side! I watch cars come and go while I decide about crossing. "They're fine, see?" I tell myself. "Quit being such a baby." So I grab my courage and cross the damn bridge. After I crossed it safely (sheesh, such a DRAMA QUEEN), I looked back at it. The bridge didn't see quite so imposing from a different point of view: So, as we walked the long, long way to this waterfall we've heard so much about, I saw a tremendous variety of bridges: Either way, it was a long, enjoyable walk. We finally made it to the waterfall everyone was talking about. At least we think it was THE waterfall, mainly because it was the first one we found and we were tired by the time we found it. It wasn't as large as my grandiose imagination pictured it, but here's a shot with Good Hubby in the foreground: I got back home and began creating my ATC trading cards with the theme of bridge. I decided to make it like a Buddhist Mandala. The briefest and best description of the creation and destruction of a Mandala, with a great photo, can be seen here.
I decided to create 9 ATC cards for trading. At the beginning, it was done on one sheet of paper. After the design and artwork was finished, I cut them into ATC card size and attached each corner to it's corresponding neighbor with thread. When we artists were scheduled to meet and pick a card from the other artists I wanted them to participate in the destruction of this piece by picking which part of the image they wanted and literally having to untie four threads to free it. Destruction of a mandala is important to the ritual. The destruction symbolizes the impermanence of all things in this life, as well as blessing all those who partook in the destruction ceremony. Here is a photo I took of my ATC trading card mandala before it was destroyed. Can you see how I incorporated "bridge" into my work? If you spot it, note it in your comments below. |
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